Showing posts with label Seven Pounds. Show all posts
Showing posts with label Seven Pounds. Show all posts

Wednesday, December 24, 2008

7 Pounds out of 10


I had seen the preview for Seven Pounds several times before going to the actual movie, and what struck me about the trailer was that it didn’t spoon feed me the amount of character and story information that I’m accustomed to these days. I had mixed feelings about it. I distinctly remember being curious, but confused at the same time. Seven Pounds seemed like a movie that was going to make the viewer work to keep up with the story. That proved to be true, but its story makes viewers work just a little too hard, and the blend of curiosity and confusion lingers throughout. In the end you’ll be keeping your fingers crossed that it all adds up, and you’ll be disappointed that the film finds ways to dance away from its strongest element in the courtship of two wounded characters, for the sake of its elaborate conclusion.

Seven Pounds is directed by Gabriele Muccino (The Pursuit of Happyness) and stars Will Smith as Ben Thomas, an IRS agent who takes it upon himself to alter the lives of seven strangers for the better. Why he embarks on this mission is a secret that Muccino and writer Grant Nieporte guard half heartedly. They feed you pieces to that particular puzzle, but you’ll have it solved well before the full revelation. The clandestine treatment of Ben’s past seems unnecessary, and unfortunately, so did most of the strangers in the film.


Rosario Dawson plays Emily Posa, a printmaker who suffers from an ailing heart. She’s the most important of the seven strangers to Ben Thomas and the most important to us. Woody Harrelson plays Ezra, a blind pianist and second of the two most worthwhile strangers. I loved Dawson, and throughout the movie I wanted to yell at Ben Thomas for not falling in love with her as quickly as I did. In these depressing times their steady courtship is what people care about, but the movie keeps jumping away to secondary characters that are small parts of Ben’s mission. On paper they may seem big, but on the screen they come off as distractions. Ben rescues an old lady from an abusive hospital, helps a Hispanic mother flee an abusive relationship, and donates bone marrow to a young child, but these saintly moments don’t hold much weight. For us to care about all of seven strangers and draw any real reward from Ben’s deeds, we need to spend more time with those characters, and to do that the movie needed to be three hours long. I don’t think Will Smith had it in him for three hours of Ben Thomas. At times, two seemed like more than he could handle.

There’s no questioning Will Smith’s ability to deliver as an actor, but this was the first role of his that I’ve seen in which he seemed stiff and perhaps a bit uncomfortable. I think a part of the problem is that there really just isn’t much of an emotional range for Ben Thomas. He spends most of his time somewhere between depressed and very depressed. His moments with Emily present opportunities where his character can really evolve, but Ben takes small steps forward and stops in the realm of the bland. Granted the character has reason to be angry and depressed, but someone like Will Smith is so gifted with his knack for drama and comedy in the sense that the man can go anywhere as an actor, so it becomes frustrating to see him stuck with Ben Thomas in a sort of character bubble.

People will go see Seven Pounds because of Will Smith, but people should go see Seven Pounds because of Will Smith and Rosario Dawson. The film is at its best when they simultaneously occupy the screen in a story about two people that need each other. When you pull away, it’s a story about more than just two people, and it’s about a man’s mission. But there will come a point in the film when most viewers will abandon Ben’s mission in favor of his underlying love story with Emily. You will hope that in the end the pay off will be as good as Muccino probably thinks it is, but when you arrive at that pay off, it will be hard to escape a feeling of underachievement. You won’t be too upset about it, because in the end you’ve watched two characters who needed each other find one another. It doesn’t matter how good or bad times are, if done right, that element will always leave viewers happy.

Thursday, December 18, 2008

What, When, Where this Weekend - The Wrestler, Seven Pounds, Despereaux, Yes Man

What, When, Where is a weekly guide to select screenings, discussions and events in the NYC-area of interest to screenwriters.

- The director of SCOTT WALKER: A 30TH CENTURY MAN is present at IFC Center screenings of the film this weekend.

- Kelly Reichardt is at Film Forum for a Q&A again tonight. Seriously - go see this movie! My review is here.

Opening this weekend...

THE WRESTLER
, written by Robert D. Siegel, dir. by Darren Aronofsky


Premise:
With his battle scars and failing heart, retired professional wrestler Randy "The Ram" Robinson (Rourke) jumps back into the squared cirle, climbing his way up the independent-circuit ladder, with his eyes on a showdown with his longtime rival.

Playing: Lincoln Plaza, Landmark Sunshine

This movie is a big favorite over here at League headquarters. Great script, great direction - it's got Mickey Rourke being badass and Marisa Tomei being hot. What else could you ask for?

Check out Cake Man's full review.


SEVEN POUNDS, written by Grant Nieporte, dir. by Gabriele Muccino


Premise:
A professional man (Smith) who is close to suicide for his role in an auto accident that claimed the lives of seven people finds a reason to live, and to atone, when he falls for a woman (Dawson) who wants to help him deal with his grief.

Playing: Everywhere.

The trailer has me intrigued. Couldn't really tell what the movie was about without a little research, but I like the concept. And it's the writer's first feature. I'll check it out.


THE TALE OF DESPEREAUX, written by Will McRobb, dir. by Sam Fell and Robert Stevenhagen


Premise:
Banished from his home for being more man than mouse, Despereaux is befriended by Princess Pea who teaches him the value of reading books (instead of eating them) as well as a fellow outcast, Roscuro the Rat, who is interested in hearing the stories Despereaux has learned. When Roscuro is shunned by the princess, however, he plots her kidnapping, putting Desperaux's human-sized bravery to the test.

Playing: All over.

It feels like it's gotten to the point in comics world that if your series doesn't star Wolverine, it must be about medieval mice. (See: Mouse Guard, Mice Templar)

It was only a matter of time before this trend hit movies, right? Looks cute, though.


YES MAN, written by Nicholas Stoller and Jarrad Paul, dir. by Peyton Reed


Premise:
What happens when you agree with everyone and say "yes" to everything? Carl is about to find out when he chooses to become overly agreeable for an entire year.

Playing: Too many places.

They have been advertising this movie constantly since, like, September. I'm not kidding at all. Even if this movie were great, I couldn't forgive it for shoving itself down my throat for four months.

If I'm watching a football game, there are only three things that I should be seeing during commercial breaks: 1) big trucks, 2) beer, and 3) women holding beer. Jim Carrey making goofy faces while shilling for Red Bull isn't anywhere on that list.

Jim Carrey, please, you're better than this.

What are you doing/seeing this weekend?