Well folks, I won't lie to you. This week has been a bit of a slow one. I still haven't heard back regarding the producer's thoughts on my writing partner's and my outline for a sci-fi action adventure. My manager is also supposed to be giving it a read, but no feedback from him yet, either. And that's fine - I'll be going out of town for the weekend, so it's not as though I'll have much time to work on it anyway.
The post-Apocalyptic spec is still out there somewhere in the ether. I think we (my manager, agent, and producers) are nearing agreement that we've about turned over as many stones as we can on the project... at least for now. It's kind of a sucky feeling, but not one that comes as a surprise to me. I sense that my manager's been slowly prepping me for the inevitable, "there's not much more we can do for it now," and considering the project's been out in the Hollywood atmosphere for a couple years, I could have guessed as much. Thankfully, I have the collaboration to actively focus on and a couple other ideas or outlines that I can jump back to and will jump back to. We're trying for one more A-lister to come on board attached to star, but I think that's more in the wish and prayer category than a strategy we're putting any real money behind.
I began to get back to the demon thriller spec, which was nice. By get back to, I mean I re-read the outline I drafted months ago. I was pleased to see that it reads pretty well. In fact, my manager had some thoughts about it that wouldn't change the pacing or overall structure in any major way, but would alter some situations and potentially eliminate certain parallels in the story that work effectively at present. It's hard to tell whether I'm just being intractable or even just lazy, or if there's merit to my desire not to implement his changes. I like to think that I'll be able to achieve an equally healthy outline for an even more unique story by implementing his suggestions, but I'm currently beset by that ever tempting, partially deleterious affliction whereby writers refuse to tamper with something that works.
Ah well... if nothing else, an attempt at revising yet another outline that seems well-structured might just prove that the current incarnation is the most robust, most effective. And Hell, it felt great to keep working, and in a field where the temptation to procrastinate is ever-present, the drive to work needs to be embraced. After all, who knows how long the next writing break might last.
The post-Apocalyptic spec is still out there somewhere in the ether. I think we (my manager, agent, and producers) are nearing agreement that we've about turned over as many stones as we can on the project... at least for now. It's kind of a sucky feeling, but not one that comes as a surprise to me. I sense that my manager's been slowly prepping me for the inevitable, "there's not much more we can do for it now," and considering the project's been out in the Hollywood atmosphere for a couple years, I could have guessed as much. Thankfully, I have the collaboration to actively focus on and a couple other ideas or outlines that I can jump back to and will jump back to. We're trying for one more A-lister to come on board attached to star, but I think that's more in the wish and prayer category than a strategy we're putting any real money behind.
I began to get back to the demon thriller spec, which was nice. By get back to, I mean I re-read the outline I drafted months ago. I was pleased to see that it reads pretty well. In fact, my manager had some thoughts about it that wouldn't change the pacing or overall structure in any major way, but would alter some situations and potentially eliminate certain parallels in the story that work effectively at present. It's hard to tell whether I'm just being intractable or even just lazy, or if there's merit to my desire not to implement his changes. I like to think that I'll be able to achieve an equally healthy outline for an even more unique story by implementing his suggestions, but I'm currently beset by that ever tempting, partially deleterious affliction whereby writers refuse to tamper with something that works.
Ah well... if nothing else, an attempt at revising yet another outline that seems well-structured might just prove that the current incarnation is the most robust, most effective. And Hell, it felt great to keep working, and in a field where the temptation to procrastinate is ever-present, the drive to work needs to be embraced. After all, who knows how long the next writing break might last.