My collaborator is abroad shooting a movie this and next month, but we managed to grab some time yesterday for a phone call regarding pages I sent him. In an effort to make sure that he and I were on the same page regarding the tone of the piece. Though I am doing the actual writing, this is still his idea first and foremost, and we agreed that it would be better to make adjustments incrementally, rather than discovering after I had written a full draft that we were diametrically opposed in our understandings of the scripts' voice and feel.
The good news is we were on the same page. He had some thoughts about tone, but nothing really that would require me to make sweeping changes to the existing first act I sent him. I'll be better equipped to move forward, but I'm not looking at a major rewrite as far as that is concerned. My partner also had larger notes on two main sequences, but again, they're not immediately pressing. I'll go back and reqork them (one of them implies a location change for many upcoming scenes), but we're not at make or break yet, which is great.
Neither of us can really wait to have our hands on a full draft, but we're approaching the next 75% of the script in a prudent fashion. Just as we caught a few things that are good for me to know going forward, so we'll hope to do so again with the next chunk of pages. I will send him the first half of Act Two next, before going on to finish that act, in case he sees anything else that seems off to him. The point, again, is to address those notes as I continue writing, not to get saddled with rewriting pages before the draft is even done.
at any rate, it's great to be writing again and to have a project solidly under way.
The good news is we were on the same page. He had some thoughts about tone, but nothing really that would require me to make sweeping changes to the existing first act I sent him. I'll be better equipped to move forward, but I'm not looking at a major rewrite as far as that is concerned. My partner also had larger notes on two main sequences, but again, they're not immediately pressing. I'll go back and reqork them (one of them implies a location change for many upcoming scenes), but we're not at make or break yet, which is great.
Neither of us can really wait to have our hands on a full draft, but we're approaching the next 75% of the script in a prudent fashion. Just as we caught a few things that are good for me to know going forward, so we'll hope to do so again with the next chunk of pages. I will send him the first half of Act Two next, before going on to finish that act, in case he sees anything else that seems off to him. The point, again, is to address those notes as I continue writing, not to get saddled with rewriting pages before the draft is even done.
at any rate, it's great to be writing again and to have a project solidly under way.