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Like Zombie did a few weeks ago, yesterday I treated myself to a morning at the cinema and saw Rachel Getting Married. Written by Jenny Lumet, Rachel Getting Married is, as I'm sure you're well aware by now, about dysfunctional ex-junkie Kym, played wonderfully by Anne Hathaway, getting leave from rehab to attend her sister Rachel's wedding. and all that happens over that wedding weekend.
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A few other things of note about the film (and script) are worth mentioning. For one, the audience learns a lot, and I mean A LOT about Rachel and the circumstances of her present situation in the first few minutes of the film. This is very much not a movie that, if you decide to wait for the DVD, you could put in and make a sandwich in the kitchen while it begins. There is a ton of information subtly yet noticeably dropped in the first two or three minutes of the picture that explains a great deal about Rachel's character. It's quite interesting, actually, as I'm not used to so much being given at the top of a film - it was sort of the dialogue equivalent of the scroll at the beginning of Star Wars, only it mattered more to the plot.
Also, Rachel Getting Married had some of the most fully realized characters I've seen on the screen recently, in spite of the fact that there were literally dozens of people on camera for much of the film. I felt as though I knew or at least knew of almost everybody who appeared on camera. From the pampered, prissy maid of honor to the groomsman who thinks he's cooler than he really is to the spiritual mother-in-law, everyone on film was a genuine, fleshed out person, not just a stereotype to fill a necessary role. Sure, the prissy maid of honor might sound like a stereotype in some cases, but in Rachel, I felt as though I knew this person, knew who she was and her general life story, and I knew that she belonged. The characters, even those who had few lines or little screen time, were real, and that, more than anything, is a testament to the writing.
Rachel Getting Married, while unsettlingly awkward at times, is a great watch. Jonathan Demme's direction does great honor to what must be, in my opinion, the driving force behind the strength of this picture - Jenny Lumet's script. I'll be looking for this script to give it a read, and possibly, to appear as one of the five nominees at the next Academy Awards.
1 comment:
I'd agree with your praise. This is still my personal frontrunner for favorite movie of the year - I'm hoping Sony puts up the script for download for Academy consideration.
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