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In the screenwriting class I just finished taking, my teacher introduced us to an aspect of craft known (to him, anyway) as "Emotional Resonance." Basically, it's a way of creatively giving insight into the feelings of the characters without coming right out and saying it. A great example can be found in the script for Casablanca. It's happens in the scene where Rick is first meeting Lazlo and reuniting with Ilsa. I don't remember the line, but it looks something like this:
RICK
(but why is he looking at Ilsa?)
Blah blah blah, poorly delivered line.
(but why is he looking at Ilsa?)
Blah blah blah, poorly delivered line.
It actually does make a world of difference in a screenplay, but as it was the first time I was introduced to the technique, I...well, struggled with it. While I can't destroy buildings like my superhero counterpart, believe me, the frustration was definitely there. Enjoy!
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