How many crazy people can they fit on a soundstage?

Hollywood Reporter is reporting from Cannes about two newly announced David Lynch-related projects:

David Lynch and Werner Herzog will be co-directing a horror film, and Lynch will be producing a new Alejandro Jodorowsky (Holy Mountain, El Topo) mobster film starring Nick Nolte, Udo Kier, and Asia Argento.

Looking through the names listed above, is there a single one that's not notoriously, well, a little nuts? I have the high, high, highest of hopes.

The story (with full details) is available here.

Screenwriting Link of the Week

Ken Levine recently posted his summer movie preview up on his excellent blog. My favorite bit:

THE PROMOTION – Seann William Scott and John C. Reilly are two schleppers vying for a promotion at a Walmart type store. Comedy in aisle five! More fun: wait till it’s on cable, gather your friends, and play the drinking game every time there’s a pratfall.

Ken's entertaining take on what will be this summer's winners and duds can be found here: Part I and Part II.

Ken Levine is a veteran television comedy writer, having worked on many of the most successful sitcoms of the last 30 years, including M*A*S*H, Frasier, and The Simpsons. (Check out his impressive IMDB listing.)

His blog, By Ken Levine..., updates daily with his views on the television and film industry.

Nega-writing

Over the weekend, I believe I may have actually nega-written.

After two solid, drawn-out sessions in front of Final Draft, I came out with a lower page count than I went in with. The fruits of the weekend's labors amounted me taking out two already-written scenes and replacing them with entirely new ones.

In the course of writing any first draft, I fall into a pattern of compulsive self-editing. I wouldn't be surprised if every page I write is composed of the chopped-up remains of three others.

I keep a separate document for every script where I keep copies of all of the scenes that I cut for one reason or another. In many cases there may be something I liked in them that just wasn't right for the overall story, or it was an early idea that was later pushed out of the way for something I thought of later and just liked more. I keep copies of these scenes in case I can use them elsewhere, either in another place in the same screenplay or for a different project altogether.

I noted today that the "deleted scenes" document has just passed 30 pages for my current project, and I've yet to finish my first draft. Should I be alarmed?

Voices in My Head Put Me to Sleep

Like Onyx Enforcer, I don’t have a set writing process. While most times I like to write out an extensive beat sheet before I begin, the script I’m currently working on went through little to no planning, and is so far the smoothest writing I’ve done in years. I also find inspiration from very different places for each scripts, and while music is always playing when I write (I can’t stand writing to silence), it doesn’t really influence what I write.

I think the only consistent writing process for all of my scripts is character building. While the scripts always start with an one-line idea, it’s when I figure out what kind of person the main characters are do the story come together. Psychology fascinates me, and I like giving characters different conscious, subconscious, and unconscious goals, or conflicting/ hypocritical desires. Most of the time if they stay in my head for too long they become pretty broken and twisted, but to my delight the people in my two recent scripts are staying very healthy.

While the script is under construction, I like to let my characters run around in my head and do whatever they want: Meet another character, go to a new town, admire a knife, stalk a kill, eat some breakfast, go camping, get upset, be happy. It’s basically day dreaming, but without me. I also play the scenes I know I want to write over and over and over until the moment I write it (that’s actually how I put myself to sleep every night).

I suppose it is because I revolve around character rather than plot, if I don’t know the ending to a script I simply can’t begin to write, not even the rough draft. This is because without knowing exactly how it will go down, my characters would (like normal humans) simply drag the conflict out as long as humanly possible until it simply die anti-climatically, or suddenly ends with an abrupt burst of violence.

The Writing Week part 19

I’d say “this was more of a reflective week,” but that would be cheating. This was really just more of an unproductive week. That lull that I mentioned in my writing process post is still clinging on for dear life, and I’m just starting to shake it off my leg, like an unwanted dog about to break out the “lipstick.”

All of that isn’t to say that I’ve accomplished nothing this week. I got feedback on my pages from the League, which was all very helpful. This psychological thriller I’m working on, the former Screenplay X, has a lot of work to be done on it yet. However, I am proud of the draft that I have, and after I take a breather from it, I’ll eagerly dive back into it.

I also came up with ideas for a couple future projects this week. Truth be told, something (though now I can’t remember what) happened a few weeks back, and had me worrying that I was dry, in a rut, out of ideas. Well, like the figurative dog humping my leg, that’s something I can’t quite fully shake, either. But, the fact that there are a couple ideas bouncing around in my head again is comforting, even if they’re just as experimental and not as complete as the ideas I developed since January.

Another step forward was that I finally started working on my post-Apocalyptic action spec again. What I really need to do (and will do tomorrow and/or Wednesday) is re-read it. The timing’s a little poor, because I’m going on vacation for a long weekend beginning Wednesday night, and most likely won’t have my computer with me. Not that I can’t write without it, but when I finally commit to diving back into a project, it’s best to have my laptop within reach.

Lastly, I realized something. If I devoted this next year—from now until the end of April, 2009, when my lease expires—to completing all of the projects I’ve written in the past year and a half and currently have at least a first draft of, I would have an additional four scripts under my belt. That’s not counting the projects that are only an outline, or a first act, or a messy blob of random ideas. I know, four scripts might not sound like a lot to you (perhaps), but I would love to add finished drafts of each of those to my portfolio.

Desperate Times, Desperate Measures

Jumping off Cake Man’s Don’t Never Change, I really don’t know if I have a regular enough process to the extent that I’d call it my “writing process”. I would say that I have writing habits that fluctuate greatly. I’m a young writer, and perhaps when I’m older things will be more concrete, but right now they’re all over the place. If anything they center around music lately.

I’ve usually been off and on with writing with music. I find that sometimes it helps a great deal to listen to an instrumental tune that captures the mood of a script or scene. For the most part I found that songs with lyrics were very distracting, but lately I do a lot of writing to songs with lyrics. Most recently I’ve been obsessively listening to Phobia by Breaking Benjamin, an alternative metal group. Zombie, the music guru in the group, is probably cringing at my music selection right now, cringing or cutting himself. Odd it may be (especially if you knew me) but I like it damn it, and I write tons of pages through 46 minute loops of that album. Thing is, I don’t know if those pages are any good yet seeing that nobody has read them. This habit of listening to songs with lyrics has a present, certainly a past, and possibly a future with me. Speaking about that past.

My current writing habit was born out of desperate times, back when I was crashing at my brother’s place for nine months. I was doing some writing when my work was interrupted by my brother’s roommate having what must have been acrobatic sex with his girlfriend. I can say for certain that writing to people having sex is a very bad writing habit. I didn’t have my own music to escape to, so I just put on some headphones and listened to some of my brother’s stuff. The songs had lyrics and the evening turned out to be one of my most productive in terms of putting out pages. And so the habit was born. I’m going to try and get some eyes on my new pages soon. My last script was written mostly to a combination of Red Hot Chilipeppers and Sia, and those pages were received well somehow. If these new ones are ok then maybe I’m a step closer to my writing process.

Don't Never Change

We talk a lot on this blog about writing, our projects, our experiences. It's weird, then, that we haven't really written about our actual writing processes.

As you can tell from my Writing Weeks, I'm abut 19 weeks into the year and have completed two first drafts of new scripts from scratch. Two new specs in about 10 weeks apiece. Factor in the fact that I tend to experience a two week lull after completing a project, and that brings it down to about 8 weeks I spend on a script. From start of the outline to finishing the draft. Yeah, I'm fast (... in my writing).

Don't get me wrong, though, I don't consider those two months on each script to be all that I need to complete a project. I'm usually pleased with my first drafts, though aware of the work they need. I just can't get myself to look at them objectively for a very long time, though - hence the two week lull, followed by the second, new project. It takes me a good deal of time before I can look at a script I've written and get past that initial feeling of pride and accomplishment to the point where I can see the (sometimes large) flaws in it.

Once I do finally decide to embark upon a rewrite, it's often a messy experience. I usually still find myself too wedded to my pages to just flat out cut them completely and start from scratch, so I tend to wind up re-writing from the first page on, correcting scenes and dialogue as I go, but leaving everything ahead untouched for the time being. Anyone who reads a draft of one of my specs in this state would wonder why the hell I spent so much time and money studying screenwriting - pages 1-30 would seem like a completely different script from 31 onward, whole scenes would be missing, characters would be completely different with the turn of a page.

It might not be the most effective (and is probably evidence of me still being too unwilling to change what I've written - though I have done cold page 1 rewrites before). In time, I'll probably find a better way. But for now that's just how I seem to work. What about you, what's your process?